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Cigar Label Art

(Previous page) 
The author grew up in the small coal mining town of Aguilar, Colorado, about 20 miles north of Trinidad. This part of the world was coal mining country. I remember my grandfather smoking these cigars and using them to light the fuses of powder charges. These cigars were used as the Shot-Fire's ignitors. To further enhance the artistic value of the labels, many were embossed. Embossing is to ornament with a pattern or design having a raised surface. The embossing patterns were artistic and used intricate and detailed designs. Gold leaf or bronze dust was pressed or shellacked to the label, (La Lunda). The embossing used 40 ton presses. The embossed patterns were replica of gold coins, floral and eccentric geometric designs. Labels used all the enhancement techniques available to the graphic art. It was all for "sell those cigars.".
Pricing of cigar labels is an art more than a science. Dealers publish price guides for potential customers. Price guides are self serving but give the collector a relative idea of a cigar label's worth. The experience and knowledge of the dealer tends to set guidelines for selling labels. Like most works of art, demand, availability and image themes set the price standards. Label price can vary from a few dollars to hundreds. Collectors have been known to spend thousands of dollars on rare or scarce labels. Lime Kiln Club, depicting the Negro has been one with an increase in its popular and price. Labels with negro themes are not common and limited quantities are available.
The pickers, people who hunt for cigar labels, find every thing from the one-of-a-kind to multi-bundles/stacks. Cigar label auctions have set a new pricing trends. Many people are theme collectors, while other art lover. I have noted a these auctions that when a particular themes comes up for sale and the collector wants that particular item the sky is the limit for what will be paid. It difficult to determine the motives for collectors when materials are being auctioned. For example, baseball collectors are notorious for paying high prices for baseball related items. Therefore, most baseball labels bring a premium price when they are sold.
Grade or condition is important in collecting labels. Tears, wear, damage or folds tend to minimize their value. The exception to this is in the case of rare or scarce materials. There are different degrees of grading, but most labels will fall into three categories,
mint - crisp paper, no folds, tears or damage
fine - small minor tears or slight corner folds
good - some damage, tears, signs of wear
The use of the stone lithography process dominated the labels market until about the 1920's. As the demand for cigars declined, the high production costs and time consuming labor caused the manufacturer to turn to offset printing, better known as photo-mechanical process.
The off-set printing consists of the artist's drawing being photographed and a plate made of the image. Probably the easiest way to differentiate the two processes are by dots. The off-set images are created by a series of black and colored dots on the paper. The distinct advantages of this technique was saving of time and money. The cheaper labels were used to minimize advertising costs. Many of these labels appear in the collectors market were removed from the salesmen's sample books.
The label to the right exemplifies the magnificent art-form that was created for our enjoyment. Buying labels preserves and gives collector and art lover a chance to own a piece history. These items are sought after by numerous collectors and investors who have started to buy and promote cigar label art. Cigar label art is gaining in popularity as their prices and demands have been appreciating. For more examples of this art form, visit the Antique Carta web site at http://www.antiquecarta.com/antiquecarta.


References:
Tobacco & America, by Robert K. Heimann 
The Art of the CIGAR LABEL, by Joe Davidson 


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